Is there some concrete theory to prove that the second songs on albums are particularly good? “Taizee” by Woo, wraps the listener in a half-medieval-sounding blanket of tinny strings. A possibly more attractive way to imagine this song is as some interlude on a Shin’s album. It is simple, but its lovely sway (guided by almost invisible bass notes) is a spell, conjuring images of a skipping-in-slow-motion scene from a sepia-tone film. Relaxing – each twangy pluck, articulated and separate, is fed to the audience as a sequence as peaceful as engineering and intent can be.

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